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              <text>Despite its value, historical literature utilising the recently released government correspondence relating to the 1984-85 miners’ strike has been sparse. Sustained attention on how the government managed Media and PR in the strike has been even more limited. This essay seeks to make a novel contribution to the historiography of the strike by highlighting the Thatcher government’s media tactics during the most notorious British industrial dispute in living memory. It will do so by drawing heavily on primary material released in 2014, as well as existing literature on the broader government strategy in 1984-85.</text>
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                <text>A series of video essays I created analysing Euripides' Bacchae in the light of performance. These are aimed towards A-level pupils who are studying the play, to give them material which looks at the plays as performances, rather than as texts, as this changes the meaning of their analysis entirely. These are being uploaded to a new website which will host similar resources for many Greek plays, and are also available on youtube.</text>
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              <text>Mapping Women's Suffrage on the Isle of Wight to uncover a forgotten movement.  </text>
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              <text>This essay investigates how everyday decorative ceramics, Spode's 'Indian Sporting' collection in particular, worked as domestic propaganda that normalised the ideologies of empire and romanticised them. Originating from Samuel Howitt's engravings within Thomas Williamson's 'Oriental Field Sports' (1805), Spode's transfer-printed plates transformed colonial hunting imagery into mass-produced household objects to be used daily. Through exoticising landscapes, exaggerating hierarchies and altering the original prints to become spectacles of entertainment, the designs reinforced racial inequality and imperial values while simultaneously presenting the British as heroes for aiding a culture and people that they viewed as 'backward' and untamed. Ultimately, this collection exemplifies how visual culture had political intention and legitimised colonial prospects and authority within the domestic sphere. </text>
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