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              <text>Murdoch’s The Sovereignty of Good is often interpreted as suggesting that love requires recognizing the individual reality of one’s beloved. However, through a closer reading, I argue that Murdoch’s characterization of love is more nuanced. Specifically, I show that, due to ambiguity in her writing, Murdoch leaves the exact relationship between love and the perception of reality unclear. In this paper, I begin by unpacking this ambiguity. Then, I propose that this ambiguity allows for two possible kinds of interpretations of her view on love: the objective view, and the positive light view. Finally, I argue that the positive light view offers a better interpretation of Murdoch’s position, concluding that love, while rooted in reality, also exceeds it and transcends it.</text>
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                <text>David Bather Woods</text>
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                <text>Seeing Reality in Light of Love: an Analysis of Murdochian Love</text>
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                <text>This is a project of two parts. The first is a narrative based on archival research about the life of an enslaved woman called Sarah. The second is an analysis of the narrative choices made, as well as providing further insight into the experiences of enslaved women.</text>
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              <text>This study investigates the role of traditional music in shaping Venezuelan national identity, with a specific focus on Musica Llanera ´ , a prominent folk style from the plains of the interior of Venezuela. Through a mixedmethods approach combining quantitative and qualitative survey data with expert insights, this research aims to understand the cultural significance attributed to traditional music by Venezuelans. The survey reveals a strong association between folk music and a sense of patriotism, with Musica Llanera ´ emerging as a central element of national pride. Thematic analysis of expert insights and survey responses underscores the genre’s journey from relative regional obscurity to widespread popularity, largely due to celebrated figures such as Simon Diaz. By examining both public perceptions and historical contexts, this research offers a deeper understanding of the unifying role that traditional music plays in Venezuela that largely transcends ethnic, social and political differences. Ultimately, it highlights the potential for broader cultural appreciation of Venezuelan folk music both within the country and on an international scale.</text>
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